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This is Yeah Yeah Yeahs' first headline concert in San Francisco. Grin like a lunatic from beneath her eye-level fringe. Quite a feat for a defiantly artsy band with a fundamental distaste for promoting their work too much (this interview took four months to set up).Over the next hour, the New York trio will sound like, variously, new wave power-poppers the Cars, Siouxsie Sioux fronting Blondie, a garage punk band with drum machines, and a disco Black Sabbath. With the band in a celebratory mood, little wonder the show is incredible."It sucked," smiles Karen O. The next day, we are sitting in the basement dressing room of San Francisco's Great American Music Hall.The amount that I was injuring myself was escalating - cuts, bruises, chipped teeth, falling off the stage head-first. The ripped gladrags for which she is renowned - the glittery ballgowns and asymmetrical Wonder Woman outfits, which her friend, Christian Joy, designs for her - are not in evidence.
One hand, clad in a fingerless leather glove, holds a microphone aloft, the other a bottle of Heineken.
“Play It Right” and “Hey Mami,” released this week by Chapel Hill’s Trekky Records, find the new outfit connecting multiple intensely popular strains without ever feeling forced.
On the first, Sanborn retools the meaty throb he lays down as Made of Oak as the foundation for Meath’s intricate vocal lattices.
NZ: We’re looking at playing a few ‘special event’ shows.
Dude, one gig per country would keep us pretty busy throughout the year, although it would be fun to play one-offs in Luxembourg and Togo.
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Sylvan Esso shouldn't sound this confident and cohesive yet.